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LAVAPIES: THE SECRET NIGHT OF LA CANDELA, page 2
By Jaed Muncharoen Coffin

Madrid Orientation Map
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Read about my family's tapas tour in Madrid"

ONE PLACE IN PARTICULAR...that caters to a late night crowd is a bar called Candela. If you walk up Calle Olivar from the Lavapies metro stop plaza, you'll find the salmon colored walls of Candela at the top of the hill where Calle Olivar meets Calle del Olmo. You can't miss it: you'll hear clapping flamenco rhythms, wailing flamenco voices, and strumming flamenco chords the whole way up Calle Olivar. The friendly Candela crowd will be out in the street. When you descend through the narrow doorway, you'll pass a shiny headed bouncer who may give you a hard look which you shouldn't take too seriously. If there's an open table inside the narrow bar – which there probably won't be, and if there is, you're there too early! – sit and watch as the strange spirit of flamenco rises up in dim light from the black and white checkers of the floor to the vaulted stucco arches of the ceiling.

The walls of La Candela are covered with autographed photos of Flamenco artists, bullfighters, and antique flamenco concert posters. The owner of the bar plays strictly flamenco, and the patrons love it. They clap to complex rhythms of the music, and as the night carries on, some elegant woman will rise and turn and dance in the middle of the floor. And then a man might join her, and soon the whole bar is twirling their fingers in inward-turning and blossoming hand gestures.

Keep a subtle eye out for a small and slight dark haired man who sits by himself against the wall with his legs crossed. There will be a solitary bottle of beer at his table and a small basket of potato chips. He is mysterious and awkward and perhaps a bit crazy, but occasionally he may stand up and begin dancing. When he does, all eyes turn to him, and he stomps and clicks and snaps to unanimous cheer. When he is done, he sits down, sips his beer and eats a potato chip, and acts as if nothing had ever happened.

And the best, most authentic flavor of the bar Candela, you will never, ever, see. In the back toward the bathrooms is a small doorway leading down a hall to a separate room. Occasionally you'll see gypsy-looking fellows pass through the small hallway, carrying guitar cases on their back, dressed in smart black blazers and jeans, their long dark hair in ponytails. And when the music in the bar comes to an occasional stop, a muffled sound of passionate singing voices, the tak tak tak rhythms of clapping, and the passionate strumming of flamenco guitar will consume the short interim. You might wonder “what's going on back there?” and walk back to check it out. You'll soon realize that it's not the place for the occasional tourist or even the Lavapies local.

The word on the street is that the owner reserves his back room for some of the best Flamenco musicians and dancers in Madrid – known and unknown. At the end of the night – at five am perhaps? -- as you leave the bar, walk down Calle del Olivar just fifteen yards, and soon you'll hear, coming through the barred windows of the back room, the most authentic and pure sound in the Lavapies night: it's the gypsies strumming and stomping and dancing and clapping to their very own flamenco from “la cueva” (the cave) of Candela .
Below the window, mysteriously tiled into the brick with subtle stonework, is ambiguously written “Candela Flamenco”. If you sit outside the window, you can listen to the most beautiful music you'll never see. The singing voices wind through the narrow cobblestone streets of Lavapies until sunrise.

Be grateful that there are places where tourists are not allowed to enter. You can walk right up to the edge of it and listen in through the ivy covered windows, but you'll never get to see it. There is no reservation to be made or ticket to buy. It may be the one time in your life when a feeling of exclusivity is welcome. And then the night in Lavapies comes to a slow and stumbling end. If at some point during your stay in Madrid, you wander through Lavapies during the light of day, you may find yourself looking at the small pebbles tiled into the dirty salmon walls of a superficially derelict Candela. You'll recall the late night of before, the gypsy voices and the patters of clapping, and surely you'll say: “and who would ever think! That sound came from this place!” And that's the tricky spirit of Lavapies: a diverse neighborhood that is wonderfully, gratefully, and hospitably closed to all interested tourists.

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This page last updated September 2007

 
  This article written By Jaed Muncharoen Coffin: Jaed Coffin is the author of, soon to be published, A CHANT TO SOOTHE WILD ELEPHANTS, Da Capo Press, and currently lives between Alaska, Maine, and Spain.
Lavapies Photographs and text © Jaed Muncharoen Coffin 2004